
From journalism student to all-access at the World Cup
Unilever’s World Cup strategy: Nanos and VIPs
Creator gets an Emmy nomination
Meta backtracks on AI

Illustration by Annelise Capossela/For The Washington Post; Sipa USA via AP; iStock
Creators win the World Cup
Creators have a larger presence than ever at this year’s FIFA World Cup, reshaping how fans are experiencing the games. The tournament’s new partnerships with platforms like TikTok and YouTube have granted top creators unprecedented access to the pitch and pre-and-post-game moments, building a booming second-screen experience of live streams, behind-the-scenes clips and reaction videos.
On the pitch, players have gone from national stars to massive global celebrities, and fan moments — like the Viking row — have gone viral. Across host cities, brands are innovating with new strategies and increased investment in hopes of capitalizing on the wave of World Cup attention. And it’s not just sports — creators across beats like travel, fashion, food and culture are building new entryways to the games and leveraging the scale of the tournament to build their reach.
Around one of the last remaining appointment TV viewing experiences, creators are showing their ability to shape culture, even amidst complex restrictions on streaming the games themselves. And brands are spending millions working with creators, making the most of the moment to deploy their message campaigns in new ways.
“Anybody now is a channel, everybody is a station … if you want to really tap into a certain audience or to a younger generation, you really have to work through creators because they have a better understanding of their audience,” said Wisdom Kaye, a fashion creator who played in the inaugural YouTube FIFA Creator Cup on Sunday, an exhibition game featuring some of the top creators associated with the games, like streaming phenomenon IShowSpeed. Creators, Kaye said, have “only helped to grow visibility” for the games. …

The Creator Takeover: How creators flexed their power this week.
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Disney and Jon Youshaei announced Created in LA and a first-ever red-carpet premiere of creator-produced videos at Hollywood’s historic El Capitan Theatre in September
The world's best soccer player is also its best sh*tposter
The Kansas City Chiefs launched a Kingdom Creators program
Jake Shane teams up with Alo on workout series (following his Men’s Health photoshoot)
Meredith Hayden lands Netflix deal for “Wishbone Kitchen” video podcast
Alan Chikin Chow’s “Alan’s Universe” heads to Netflix
“Shark Tank” to feature MrBeast and Steven Bartlett
Today Shira Lazar and Creators 4 Mental Health are hosting a Creator Advocacy Day on Capitol Hill
Content Partners launched Wonderloom Media and acquired Dr. Insanity
Viral AI-generated “The Puerto Rico Song” got an official music video in partnership with Discover Puerto Rico

Creator Q+A: Simone Scott

Courtesy of Simone Scott
Simone Scott is a sports reporter known for her “For the Girls” series breaking down the biggest sports moments. She is one of 30 creators selected globally as one of TikTok and FIFA’s World Cup 2026 Creator Correspondents.
This interview has been edited and condensed.
DW: There are some challenges around sports content and licensing, how do you think about those kinds of restrictions?
Simone Scott: I definitely get it, because we kind of work together with your traditional broadcast [reporters]. There's no way creators can replace regular journalists or regular broadcasts. I like to think of us as a supplement. So, you're gonna have your regular game that you can watch, whether it's on a computer or your TV, and then your phone, you can scroll and get some behind-the-scenes access with us of things that maybe they don't have time to show, or maybe they're not even thinking about showing, that's more relaxed and fun, and curiosity driven.
I understand the restrictions with FIFA, like, once the game starts, we're done filming the field, and I understand that, because that's FOX, that’s Telemundo, and they have those rights. But then once the game's over, then we're back at it. I mean, is it always the funnest? No, but you do what you got to do, because that's the rules, and rules are there for a reason. It wouldn't make sense for me to film the field as well, if you're going to get a clear shot from their 37 cameras.

The Platforms
Europe takes step toward possible social media ban for children
Meta removes A.I. feature on Instagram after days of backlash
Google to let creators see what search terms lead to their content being discovered
Character.ai launched a microdramas division

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